Download , by Blair Tindall
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, by Blair Tindall
Download , by Blair Tindall
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Product details
File Size: 1676 KB
Print Length: 348 pages
Publisher: Grove Press; Reprint edition (December 1, 2007)
Publication Date: December 1, 2007
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B008V43R34
Text-to-Speech:
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Amazon Best Sellers Rank:
#125,259 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Another example of watching something produced by Amazon.com and wondering about the original work AND liking the original work better! The video series Mozart in the Jungle is entertaining mind fluff. Just fun stuff with attractive and interesting characters and mostly engaging story arcs. Tindall's book is much more than that. She narrates her way through her years in the classical music biz in a very engaging manner, exposing her own shortcomings in the process. As a fun-to-read confessional, it would get 4 stars. But I give it the 5th star because Tindall puts her experience in perspective. It's not just a la-dah-dada-dee tale of her trials and tribulations in the oboe biz. The book also slips into researched commentary that uses her own story as a means of making larger points about the classical music business in this country. Very strongly recommended.
Great book. I bought it because I love the series, but the book is very different -- not in a bad way. Both are worth the time. If you are a fan of the show, though, I'll warn you that there are plenty of times during the book when you cannot even begin to understand how a comedy series -- well, more of a dramedy -- came from this book. There is some sensitive subject matter that may be hard to read, and is far from the light, comedic tone of the show. But, once you get past that, and separate the book from the show, this is an amazing read, especially for people with a background in classical music.
This was a blast from MY past. Trained as a classical oboist at about the same time as the author....well, some of the book was greatly amusing, some of it was a trip down memory lane...actually a lot of it was that. It was disturbing and kind of like a huge flashback for me. Very honest and insightful look at the real world of performing. I remember being the guest at a symphony ladies' tea and having them gush all over me..."oh, it must be so much fun to just play music all day long". Gush gush gush.....I was probably making less than a third of what they paid their maids,AND I carried a monster size bottle of pepto in my bag which I would swig right from the bottle, trying to calm the nerves caused by trying to please a real S.O.B. of a conductor. Interesting life to be sure.
I got the book because I had been hugely enjoying the TV series based on it on Amazon Prime; I was astonished at how very different the two versions were. The series plays for comedy, while the book is more sober nonfiction of the development and life of a musician, une vie boheme with sex and drugs (and the ingénue is TB-free) that is more fun in the opera than in real life. Freelancers in a crowded field (and becoming more crowded every decade) musicians live a precarious existence; having been a freelancer myself for ten years, I know what that can be like. Blair Tindall, the oboist author claims to have shirked all or nearly all academic subjects focusing on her instrument, but somehow she managed to develop a clear and lively prose style. Her book is a joy to read, even if it has fewer laughs. And if you have not seen the series, you are missing something wonderful.
Blair Tindall's biography is a window into the inner workings of classical music-making, sort of the sausage-making processes of this over-glamorized industry. Too many qualified applicants for too few job openings is one of the biggest takeaways of the book, followed by unjustified, bloated salaries of music executives, while the creators of these arts are the financial "bottom feeders." Much like greater society itself, actually. There's still plenty of the promised salacious sexual side of that world, for those who are looking for that. Great read.
An ingenue classical oboist gets an education about the underside of a music career and what it takes to become a member of a famous orchestra. It is an opera of egos, human frailties, sex, inspiration, and fundraising.I also like seeing the lives of the young hopefuls who flock to New York with big dreams and small bank accounts, and how they make the best of their situations while looking for love.I loved it and would recommend to anyone who has even the slightest interest in classical music and creativity.
Having watched a few episodes of the show, this was an unexpected deep dive into the writer's life and career in classical music. It gives in depth insight into the industry, lots of behind the scenes, history of many famous players little known to the average person and real slice of life of classical musicians in NYC. Back to the show now, can't get enough!
Anyone who expects this to be like the television series will be very disappointed. It serves as a reality check for anyone thinking about making classical music a career. Ms. Tindall's telling of her experience makes such a career seem to be full of gossip, nastiness, and poverty-not at all as glamorous as the television show depicted.
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