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, by Christopher Wilson
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Product details
File Size: 1545 KB
Publisher: Graymalkin Media, LLC (October 2, 2018)
Publication Date: October 2, 2018
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B07HZ16PSS
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Read this book twenty-five years ago before Johnathan Dimbleby told Prince Charles's side of the story to counterbalance Diana's collusion with Andrew Morton for Her True Story. It is critical of the future king but also reveals why he was determined to resume his relationship with Mrs. Parker-Bowles. It is perhaps too harsh to blame either Charles or Diana for displaying normal human emotions, when each yearned for a happy resolution of their problems. This was indeed difficult when the news media chose to ruthlessly exploit every aspect of their private lives. It is no small wonder that the Prince of Wales felt trapped and longed for personal freedom, while Diana became an insufferable romantic, finding physical love, but no emotional escape, with all the wrong men. They were an imperfect mismatch doomed from the start because the press put her on a pedestal and did their best to downgrade the man who made it possible. Christopher Warwick was the first biographer to hint that this union could never have worked even without media coverage due to the age disparity, their clashing personalities, and alternate lifestyles. Morton, Anthony Holden, James Whitaker, Nicholas Davies, and Nigel Dempster all took the Princess's side exclusively in their biographies, while Penny Junor and Lady Colin Campbell stood up for the Prince in their books, the latter in two best-sellers Diana In Private and The Royal Marriages. Diana In Private (1992) was highly controversial because it alleged that Lady Diana Spencer was not a virgin when Charles began the 1980 courtship and that she had manipulated the media even before their engagement. Ingrid Seward was another woman author who took Charles's side against Diana's after the crash because she knew the full story and had actually been on close terms with the Princess. Her husband Ross Benson had been a former schoolmate of Prince Charles and was equally sympathetic. It is doubtful that Warwick knew either the Prince or Princess as well as Seward or Benson. He did, however, interview many of the friends and relatives of Andrew and Camilla Parker-Bowkes as well as others close to the royal couple.In the 1993 hardback version which was titled A Greater Love, author Warwick was slightly critical of Diana. When this book was later updated as The Windsor Knot, he reprinted most of A Greater Love then wrote about the Charles/Diana/Camilla saga from 1994 (before the divorce) onward up to 2002, the year of the Queen's Golden Jubilee. In the newer version he became far more critical of Charles and Camilla because by this time Diana was dead. This was also several years after the 1998 debacle of Penny Junor's Charles: Victim or Villain? more than a year after the crash, in which Junor made every argument that proved the late Princess was mostly at fault for the breakdown of the marriage. The media backlash against Junor was sensational. The public lapped it up and made her life a misery. It was pretty rough-going for Charles and his lady-love as well because many people believed that the Prince had cooperated with Junor, who had become a friend some time after his first marriage and who had gone to boarding school with Princess Anne. Warwick chose to soften his stance on the dead princess, very different from his 1993 interpretation of the troubled icon, hence The Windsor Knot.Warwick did excellent research with the possible exception of a major goof on page four of the paperback edition of The Windsor Knot in which he wrote that Diana was directly descended from Nell Gwynn via a liaison with Charles II. Diana is descended from Louise Kouralle (Duchess of Portsmouth), the strumpet Lucy Walters, and like Camilla (now Duchess of Cornwall) from Barbara Villiers (the Duchess of Cleveland), but not Nellie Gwynn, the most popular and beloved of the Merry Monarch's many mistresses because she was pretty, witty, and lowborn.
I thought that I knew all that there was to know about the whole Charles-Camilla-Diana triangle, then I started reading the Windsor Knot and I realized that I did not know all that much.The book is more than the story about Charles and Camilla and Diana's relationships with eachother. The author delves into the murky past of the players families and tells us about the some of the people that came before Camilla, Charles, and Diana.A very interesting, entertaining book!
Interesting! Lots of info I didn't previously know!
Loved it.
The author doesn't even try to hide his bias against Prince Charles and Camilla. He's dug up every shred of gossip he could find that paints his subjects in a bad light, if he can't find it, he makes it up.
Is there anything about the Di-and-Chuck saga that hasn't already been said? Christopher Wilson has decided that a book highlighting events from Camilla's perspective would fill a gap in the coverage of these events. It's a reasonable idea for a book, except that there's nothing to indicate he has talked directly to Camilla, and he's reduced to guessing what goes on in her mind.Nonetheless, the book is an easy read and approaches the well-known story from a different angle, adding a few tidbits such as describing the Queen's raging hatred of Camilla. According to Wilson, it was Camilla who encourged Charles to marry Diana. The book is rather ambivalent in its perspective on Camilla, suggesting she saw no ethical dilemma in cheating on her husband to be Charles' mistress and orchestrating the sham marriage between Charles and Di. Yet in other passages, Camilla is shown in a sympathetic light. Even if Camilla is responsible for her own fate, it can't be easy being the most hated woman in Britain.The book portrays Di's marriage as more of an empty shell than other authors have portrayed it. The author suggests Di knew what she was getting into, but was too naive and too intimidated to back out during the engagement. The marriage never had a chance; Di was never intended to be more than a showpiece. As the story is told in this book, the villain is Charles, who over and over is portrayed as self-centered even by the standards of royalty and utterly devoid of a moral compass or basic interpersonal skills.The early chapters cover Camilla's family history. Skip those and jump into the middle of the book which is far more interesting. The book, written in 2002, ends with the author speculating that everyone should brace themselves for a Charles-and-Camilla marriage announcement, which of course occurred in 2005.
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